Spectral Immersions
Spectral Immersions: A Comprehensive Guide To The Theory And Practice Of Bass Clarinet Multiphonics is published by Metropolis and can be purchased direct from their website: Metropolis
The book is Sarah's extensive reserach into bass clarinet multiphonics and contains history, analysis, new charts and new compositions, together with audio and data CDs. A separate series of works written for the project is also published.
Sarah would like to thank the following composers for writing the following works for her using her research.:
Works for solo bass clarinet:
- Multifonix Study , Victor Baez - published by Metropolis
- Study for bass clarinet, Greg Caffrey - self published
- Airway, Gareth Churchill - published by Metropolis
- , Antony Clare - published by Metropolis
- Geometry of Air, Iain Matheson - published by Metropolis
- Soundings, George Nicholson - published by UYMP
- Shadowplay, Patrick Nunn - unpublished
- Mi Cantare, Miroslav Spasov - published by Metropolis
- Three days on the road, Sohrab Uduman - published by Metropolis
- Screapadal, Sarah Watts - published by Metropolis
- Quarter-sounds, Marc Yeats - published by Metropolis
- Vox for bass clarinet 2002/2012, Marc Yeats - published by Metropolis
Works for bass clarinet and electronics:
- Pareidolia, Patrick Nunn - unpublished
Works for bass clarinet and CD:
- Her Sisters Notebook, Lola Perrin - self published
Works for bass clarinet and piano:
- Timeless Shades of Green, Stephen Davismoon - published by Metropolis
- Darkness Visible, George Nicholson - published by UYMP
- Chelovek, William Sweeney - published by Scottish Music Information Centre
Sarah with Harry Sparnaay, July 2015
If you would like to programme Sarah to perform these works either as part of a Spectral Immersions concert or as part of another recital please email:
Now Available!
Purchase here: ALRY
Funded by a Developing Your Create Practice Award from the Arts Council England, these 24 solo pieces are all in free form/graphic score notation and designed to help practice and improve multiphonic production